The Obstacle is The Path
May 2 — June 1, 2024
The Obstacle is the Path seeks to highlight some of the talent and innovation of the artists and curators who have been essential to our journey over the past five years. Inspired by the philosophy of Marcus Aurelius, who famously said, "What stands in the way becomes the way," this exhibition commemorates Union Hall's 5th Anniversary by delving into this timeless concept. The collection of artwork seeks to explore how obstacles, challenges, and constraints serve not as barriers but as catalysts for transformation along the creative path, shedding light on the artist's journey of creation.
Every artist, curator, contractor, sponsor, donor and board member has helped make Union Hall the art space that it is today. Thank you!
You have helped a nonprofit arts organization make it to their 5th birthday!
Since 2019, more than 125 visual artists and 22 curators have been able to share their concepts with the Denver’s growing community. Your contribution to Union Hall gives back to emerging creatives directly, giving them the space and funds to display their work in a gallery for the first time, curate their first exhibition, or experiment with a new medium.
About the Artists
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Chrissy Espinoza
(she/her) grew up in Colorado and has lived throughout the American West. She attended Rocky Mountain College of Art & Design where she studied 2D Animation. She works primarily with video, photography and animation. Her short animations have been in independent film and animation festivals in Colorado, the Bay Area and Amsterdam, including P.O.V Animation Festival, Filmhuis Cavia and the Titwrench Art & Music Festival. Espinoza creates surreal environments for her photography which are created from her concepts and imagination. She thoughtfully creates and thinks about every detail for her photoshoots. The act of creating the environment is just as important as taking the photos. Some of her inspiration spawns from masks, folklore, books, surrealism and films. She believes that a great story is key to intriguing the viewer and creating a successful piece of artwork.
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Cory Feder
(she/her) (b. 1993, Greensboro, NC) is a multidisciplinary artist working across ceramics, drawing, painting and animation.
Inspired by the childlike perception of endless wonder, her work lingers in the interplay of the natural world, folklore and the divine. Light pronounces itself as a consistent collaborator in her work as she pulls traditional carving practices and imagery from both her Korean and Jewish lineage. Most comfortable in the realm of ambiguity and the unidentified, she explores the possibilities of the collision of unnoticed miracle and consciousness that create the everyday moment.
Cory was raised in Denver, CO, received her BFA from School of the Art Institute of Chicago and currently lives and works in Nambe, NM.
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Eseosa Ekiawowo Edebiri
(she/ze) At the core of my work is craft. I situate myself in textiles and soft sculpture, building worlds out of fabric- fully immersive installations that cover a space to scale. With these worlds, I share a part of how I reimagine the spaces that I’ve been through capturing what could be, yet isn't and never will be. There's an emphasis on yearning as well as nostalgia. Looking back on my rugs, I see the same themes and interests, yet the major difference is that more of my past work felt universal while my current work feels individual. Both hold an important place in my growth as an artist and I do see myself making more rugs, so I'm always happy to share one with the world.
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Fernando Orellana
(he/him) From robots that hold protests, extruders that birth populations and machines that are designed for the dead to operate, Fernando Orellana has collaborated with automation for over twenty years to create transmedia artwork. As a machine designer, a technologist and a user, Orellana has blurred the line between himself and the machine in the creative process. The imagery and narrative that Orellana explores spans a spectrum that includes giving agency to automata, embraces the generatively made, celebrates the wonder of absurdity and is most often driven by the universes of his subconscious mind.
He has exhibited at a variety of regional, national and international venues, most recently at the Toledo Museum of Art, the Speed Art Museum, the Spring Break Art Show and the Pennsylvania Academy of Fine Art. He received a Master of Fine Art from The Ohio State University, a Bachelor of Fine Art at The School of the Art Institute of Chicago and is currently an Associate Professor of Digital Art in the Visual Arts Department at Union College. He was born in El Salvador, San Salvador.
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Jenna Annunziato
(she/her) is a visual artist based in Denver, Colorado. She completed her BFA in Painting and Drawing from SUNY New Paltz in 2019. She has shown work in selected galleries across the Hudson Valley, NY and Denver, CO. Notable exhibitions include Hudson Valley New Folk at the Samuel Dorsky Museum of Art, New Paltz NY and solo exhibition Forest of the Forgotten at Bell Projects in Denver, CO. In 2023, she was in residence with Mission Street Arts in Jemez Springs, NM. She is a member of Redline Contemporary Art Center's satellite studio program and works out of a studio in the Evans School in Denver.
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MaryV
(she/her) (b. 1998) is a queer Guatemalan American photographer. Born and raised in Denver, Colorado, MaryV attended Parsons The New School in New York. With a uniquely sensitive approach to her subjects, MaryV focuses on documentary, portraiture, and self-portraiture photography. She explores love, vulnerability, intimacy, self-identity, sexuality, gender, sex, disability, relationships, bodies, and emotions.
MaryV had her first solo show at the age of 19 at Space 776 in Brooklyn, New York, displaying her Gold Series and Gold Performance. Loving You, MaryV’s second solo exhibition, was the first in her hometown of Denver at Union Hall. She has shot campaigns for clients such as Calvin Klein and Google, remaining true to her mission to connect with and to honor her subjects. She has collaborated with brands such as Polaroid, For Them, Marc Jacobs, and publications such as Vogue, The Advocate, Interview Magazine, Document Journal and Them.
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Masha Sha
(she/her) was born in Chukotka, RU in 1982. She graduated from Pro Arte Institute, St. Petersburg, RU (2005), and received an MFA from the University at Buffalo, NY with the Fulbright scholarship (2010). Masha then completed The L. Jeffrey Selznick School of Film Preservation in Rochester, NY (2011). She received the International Award of Recognition from STRABAG in Vienna, Austria (2014) as well as the Young Artist Prize Innovation in Moscow, Russia (2006). She has participated in many exhibitions and projects, as well as a few residences. Masha has works in many private and public collections including the Russian Museum in Saint-Petersburg and Anderson Museum of Contemporary art in Roswell, NM. Masha currently lives in New Mexico.
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Nadiya Jackson
(she/they) is eager and grateful for Union Hall's invitation to return to feature film work. Jackson is a multidisciplinary artist who initially began with performance art. This included but is not limited to film,singing, and dance. During Jackson's time in Seattle as a student at Cornish College of the Arts, there was a significant discovery that her practice shouldn’t be confined or to be put into a box of one medium. Since then Jackson has remained a limitless exploration of art practice. Jackson’s latest projects have been the portrayal of the role of Lillie campbell-Jackson in Pearl Cleage’s “The Nacirema Society.” Jackson was co curator for “The Ultimate Boon” featured in Union Hall's Rough Gems Program in 2023.
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Natalie Thedford
(she/her) is an artist from East Tennessee. She is inspired by the traditional handcraft techniques that she learned from her grandmother, like sewing, knitting, and smocking. Natalie takes various elements from those traditions, whether they are aesthetic qualities or specific processes, and translates them into other materials that aren't associated with those crafts. She creates highly textured surfaces, which, though orderly in one sense, contain enough variability to implicate the slow work of hands as opposed to machines. These multi-layered, dimensional surfaces resist a flattening or simplification of complex experiences; instead, they offer a space with physical depth for more complicated considerations.
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Sarah McCormick
(she/her) is an interdisciplinary artist from the Northwoods of Michigan. She holds a BFA in Sculpture from the University of Arkansas and an MFA in Sculpture and Post-Studio Practice from the University of Colorado Boulder. She has shown internationally and currently teaches in Littleton, Colorado. Combining new technologies and traditional sewing techniques, her work explores soft, ecological narratives and the relational threads of mythology.